Back in the 1880s private universities, even in the U.S.,were limited to young gentlemen from wealthy families. Perhaps that is the reason that
Clayton Fotterall McMichael decided that my alum, the University of Pennsylvania, needed a theatrical troupe that would "get up in frocks and spoof everyone and everthing naturally". And that they did --- traveling in their own railroad car, annually presenting top notch musicals and high caliber tunes picked up by Frank Sinatra, Tommy Dorsey, Benny Goodman and Ella Fitzgerald among other notables, competing with Broadway shows for decades. The Mask and Wig Club was featured on the Ed Sullivan show no less than four times and in 1894 the high society mothers of Philadelphia chipped in to buy them a clubhouse now of historical importance. This, the oldest all-male collegiate musical troupe in the U.S.was later followed by Princeton's Triangle Club, Harvard's Hasty Pudding and others but their theatrical professionalism remains to this day.
And yet, when looking at their first cast photo from 1889 I see some forty males dressed in various costumes befitting that play, and about thirty wearing medium to long length gowns, white or dark hose, low heels of the day, wigs and a few ladies' hats. No makeup is evident --- that would appear in later years. No mention in the historic write-ups of members cross dressing before joining or after leaving school, of being considered strange, weird or anything but "the funniest students on campus". One was quoted as saying, "So happy to get back in drag" bu that's it! Could be that they were ALL entertainers as, certainly, many had the talent similar to Shakespeare's all-male plays, but one has to wonder --- surely there were cross dressers among the wealthy in the 1890s and in the more recent years? I just have to wonder.
Julie